Søren Rastogi

“SR debuted as a soloist with the Danish National Symphony Orchestra with a perfectly tuned stage presence, managing both pianistic skill, musical overview, melodic sense, rhythmic security, and constant tension with rare self-assurance.”

Information
Søren Rastogi

Rastogi and Fredens are excellent in this collection. They capture the hushed beauty of the quieter music and also embrace the wild exuberance in the last of Nadia Boulanger’s Three Pieces.

Henry Fogel · Fanfare, March 2024
Søren Rastogi

“Masterful”

Frankfurter Allgemeine Zeitung

Pianist

Søren Rastogi

Søren Rastogi

Danish pianist Søren Rastogi has an international career as a soloist, chamber musician, accompanist, and educator. His musical activities encompass the central piano repertoire as well as a continuing interest in lesser-known works and projects that bring neglected repertoire to the concert platform and recording studio.

As a concerto soloist, Rastogi has appeared with most of Denmark’s leading symphony orchestras and has collaborated with conductors including Christian Mandeál, Thomas Søndergård, Douglas Bostock, Christian Kluxen, Benjamin Shwartz, Mathias Aeschbacher, Ed Spanjaard, Jayce Ogren, Maria Badstue, Peter Feranec, Hans Graf, and Ilan Volkov. His repertoire ranges from Mozart, Schumann, and Rachmaninov to Stravinsky, Bernstein, and Gershwin, and includes several of Mozart’s piano concertos, among them K. 466, K. 491, K. 451, and K. 488.

Following his debut with the Danish National Symphony Orchestra in Stravinsky’s Concerto for Piano and Wind Instruments, the Danish newspaper Information highlighted his pianistic command, musical overview, melodic sense, rhythmic precision, and stage presence.

As a chamber musician, Rastogi has performed with artists including Vilde Frang, Andreas Brantelid, Benjamin Schmid, Sergei Dogadin, and Narek Hakhnazaryan. He has appeared regularly at festivals including the Bergen International Festival, Stavanger Chamber Music Festival, Tivoli Summer Festival, and Hardanger Chamber Music Festival.

He also performs extensively with his wife, Danish cellist Janne Fredens. Their long-standing artistic partnership encompasses both the standard repertoire and lesser-known works for cello and piano.

Rastogi’s recordings include Visiting Grieg with Norwegian baritone Johannes Weisser. The album was reviewed internationally, with the Frankfurter Allgemeine Zeitung describing the performances as “masterly” and Classic FM Magazine selecting it as CD of the Month.

In 2023, Dacapo released the first recording of Paul von Klenau’s Piano Concerto, with Rastogi as soloist, the Singapore Symphony Orchestra, and conductor Hans Graf.

In 2024, Rastogi and Janne Fredens released Upheaval on OUR Recordings, featuring works for cello and piano by Henriette Bosmans, Dora Pejačević, Nadia Boulanger, and Lili Boulanger. The recording received international attention and contributes to the wider rediscovery of repertoire by women composers from the late 19th and early 20th centuries.

Two further recordings follow in 2026. In September, Naxos will release an album with cellist Andreas Brantelid featuring sonatas by Ernst von Dohnányi, Samuel Barber, and Francis Poulenc. In November, Rastogi and Janne Fredens will release Resurgence on OUR Recordings, featuring the first complete recording of Leokadiya Kashperova’s two cello sonatas, Op. 1.

Rastogi has a close association with the Danish National Vocal Ensemble, working as both pianist and musical director in concert projects presented on radio and television. Together they have developed new concert formats combining vocal and instrumental repertoire.

As pianist and conductor, he has performed Mozart piano concertos with Aarhus Chamber Orchestra and CPH Mozart Players, including a radio-broadcast concert at the Black Diamond in Copenhagen.

Earlier in his career, Rastogi was appointed “Tower Musician” by the Danish Broadcasting Corporation and the Round Tower in Copenhagen. The residency included a series of five radio-broadcast concerts as soloist and chamber musician. He has subsequently taken part in numerous broadcasts for the European Broadcasting Union.

Søren Rastogi studied at the Royal Danish Academy of Music in Copenhagen with Tove Lønskov and Niklas Sivelöv before continuing his studies in Berlin with Pascal Devoyon, graduating with the highest distinction.

His awards and scholarships include prizes at the Nordic Piano Competition and the Mendelssohn Competition in Berlin, the Danish Music Critics’ Artist Prize, the Aennchen and Eigil Harby Scholarship, the Victor Schiøler Memorial Scholarship, and the Russell Memorial Scholarship.

Rastogi is Associate Professor of Piano at the Royal Academy of Music, Aarhus/Aalborg. He has given masterclasses in the United States, China, Norway, Sweden, and Finland and is chairman of the jury of the Aarhus International Piano Competition.

Together with Janne Fredens, he is Artistic Director of the Odsherred Chamber Music Festival, where international artists perform alongside young Danish musicians.

Søren Rastogi
Barber, Dohnanyi, Poulenc

Upcoming release

Barber, Dohnanyi, Poulenc

September 2026

Cello Sonates with Andreas Brantelid

September 2026: Barber, Dohnanyi, Poulenc. Cello Sonates with Andreas Brantelid. The album will be released on Naxos.

Resurgence

Upcoming release

Resurgence

Release November 13, 2026

Cellist Janne Fredens & pianist Søren Rastogi

Leokadiya Kashperova (1872–1940) was a brilliant Russian composer and pianist whose music once captivated audiences across Europe. As teacher and mentor to the young Igor Stravinsky, she also helped shape one of the twentieth century’s most influential composers. Celebrated in her lifetime, Kashperova and her music were largely forgotten after the Russian Revolution. Today, her rediscovery reveals an original and compelling musical voice that deserves to be heard again. Already acclaimed as a prize-winning pianist, Kashperova launched her composing career with two cello sonatas of remarkable confidence and originality. Published as her Opus 1, they combine intensely poetic cello writing with a piano part of dazzling brilliance and technical ambition. Echoes of Brahms, Chopin, Tchaikovsky and her teacher Anton Rubinstein are transformed through Kashperova’s distinctive imagination. Bridging the musical worlds of Rubinstein and Rachmaninov, the sonatas bring fresh energy, emotional depth and individuality to the Romantic repertoire.

Cellist Janne Fredens and pianist Søren Rastogi were immediately captivated by the sonatas’ melodic richness, emotional power and imaginative writing. Kashperova’s soaring melodic lines allow the cello to sing, while the virtuosic piano part rivals Rachmaninov in brilliance and intensity. Through patient musical detective work, the two performers uncovered the subtle motifs and disciplined structures beneath the music’s passionate surface. With few previous performances to guide them, they embraced experimentation and interpretative risk, revealing the sonatas’ vivid colours, dramatic contrasts and remarkable emotional range, and affirming Kashperova’s rightful place on the international concert stage.

Upheaval

Latest release

Upheaval

OUR Recordings · 19 January 2024

Exceptional cello/piano duo music from 1911-1918 by 4 female composers

“UPHEAVAL” is an exceptional project in several aspects. First, it presents four compositions for cello and piano written by female composers from the first part of the 20th century, challenging the cultural norms of the day and secondly, the title “Upheaval”, also refers to the tumultuous period around the First World War. The works featured on this recording are Henriëtta Bosmansʼ Sonata for Cello and Piano (1919), Dora Pejačevićʼs Sonata for Cello and Piano (1913), Nadia Boulangerʼs Trois pièces (1914), and Lili Boulangerʼs Nocturne (1911), were all written over an eight-year period in France, the Netherlands, and Croatia.

The artists, the husband-and-wife cello/piano duo of Janne Fredens (cello) and Søren Rastogi (piano) approach this program with a sense of profound commitment and mission, recognizing that there performances of such unfamiliar repertoire may well serve as a benchmark for future artists.

Mozart: Piano Concerto no 23 in A Major. Adagio. CPH Mozart Players
Schubert: Impromptu op. 142,no. 3. D. 935
Peter Heise: Piano Quintet. Larghetto. With Michael Germer, Julie Eskær, Nicholas Swensen and Andreas Brantelid
Anders Koppel: RIVOLTA. With Benjamin Schmid and Janne Fredens

Photos can be downloaded in high resolution.

Credit: Klavs Kehlet Hansen

About “Upheaval” (OUR Recordings January 2024)

This is an imaginative and passionate disc. Fredens and Rastogi give committed and vibrant performances of music that is sometimes large-scale and like the women who wrote it, threatens to break the bounds.

Robert Hugill · Planet Hugill, March 2024

Rastogi and Fredens are excellent in this collection. They capture the hushed beauty of the quieter music and also embrace the wild exuberance in the last of Nadia Boulanger’s Three Pieces.

Henry Fogel · Fanfare, March 2024

…excellent collection of music by female composers for cello and piano… the music presented here is lovely and beautifully played…

Peter Burwasser · Fanfare, March 2024

The Allegretto [in Bosmans Cello Sonata] is Romantic… It is a truly lovely piece, and Fredens and Rastogi are its finest advocates. They find just the right amount of pull-back approaching cadences, yet the sense of easy flow remains.

Colin Clarke · Fanfare, March 2024

…I must commend artists Janne Fredens, cello, and Søren Rastogi, piano, for their extraordinary musicianship and artistic dedication in devoting their time and effort to bring us this wonderful disc of rarely heard…sonatas for cello and piano.

Jerry Dubins · Fanfare, March 2024

The ominous, weighty piano chords and emphatic cello line beginning Upheaval immediately proclaim that Janne Fredens and Søren Rastogi mean business. If the up-close intensity of the sound is confronting at first, it soon proves well suited to this chamber duo repertoire, taking us into the heart of two little-known cello sonatas.

Rebecca Franks · BBC Music Magazine, February 2024

The performance by Janne Fredens and Søren Rastogi [is] darkly coloured and assertive in spirit… Strongly recommended.

Peter J. Rabinowitz · Gramophone, February 2024

The husband and wife duo Janne Fredens and Søren Rastogi devote their full attention to this recording. …With a young cello and a Bechstein Concert Grand, they use instruments that allow for intense tonal moments, but above all allow for subtleties of interpretation in the expressive passages.

Pál Körtefa · Pizzicato, January 2024

The performances are superb, with pitch perfect attack from Janne Fredens, who, without destroying the line, seems to speak as opposed to playing the music, and much can be said of her husband Søren Rastogi.

Rob Pennock · Classicalsource.com, January 2024

“Grossartiges Album”

Alexandra Maria Dielitz · Bayerische Rundfunk

sorenrastogi@gmail.com

+ 45 26 83 55 02